Located along the Bou Regreg river between Rabat and Salé, Mohammed VI Tower rises 250 meters and stands as the tallest building in Morocco and the third tallest in Africa. Designed by Rafael de La-Hoz together with Moroccan architect Hakim Benjelloun, the 55-storey skyscraper takes on a rocket-like form inspired by Benjelloun’s visit to a NASA flight simulation in 1969.
At Casson Square in London, CIG realized the canopies for both One Casson Square and 30 Casson Square, designed by Squire & Partners. These refined architectural elements are defined by their smooth, double-curved geometry and contrasting finishes, contributing to the character of the public realm.
CIG supported the project from design development through to production and pre-assembly. Working in close collaboration with the architect and Permasteelisa, we contributed to the engineering of the canopies, including structural analysis, detailing, and advanced 3D modeling.
The AMAALA Yacht Club is a luxury marina destination located in Triple Bay on the Red Sea coast of Saudi Arabia. Designed by HKS Architects, the building features a fluid, sculptural form inspired by the coastal rock formations and maritime heritage of the region.
Conceived as the social and nautical heart of the marina, the four-level club will host restaurants, lounges, event spaces, and viewing terraces with sweeping views across the Red Sea.
Eternal IV is a permanent outdoor sculpture by Japanese artist Mariko Mori, located in Monterrey, Mexico. Measuring approximately 4 × 4 × 3.5 meters, the aluminum work is finished with layers of paint and lacquer, giving the piece a refined surface that responds to light and its surroundings.
CIG contributed to the realization of the installation by managing material procurement, assembly, surface treatment, and installation on site. The project reflects a close collaboration focused on precision, material quality, and careful execution in a public setting.
Designed by Foster + Partners, 50 Hudson Yards features a monumental lobby space anchored by three bespoke artworks by American artist Frank Stella. The installations include two dynamic sculptural works integrated into the lobby, as well as Stella’s interlocking star sculpture, positioned within an elegant elliptical staircase designed by Norman Foster. Together, the artworks shape the arrival experience and echo the scale and intensity of the surrounding architecture.
The Qasr Al Hokm Metro Station is a key hub in the city’s new metro network, designed to ease congestion, improve air quality, and support Riyadh’s urban transformation. A polished stainless-steel canopy connects the plaza with the station below, bringing in natural light and shade, in a competition-winning concept by Snøhetta in collaboration with One Works and Crew.
Zayed National Museum is designed by Pritzker Prize-winning architect Lord Norman Foster of Foster + Partners and stands as a landmark within the Saadiyat Cultural District. Zayed National Museum derives its purpose from the late Sheikh Zayed bin Sultan Al Nahyan, the Founding Father of the United Arab Emirates and is recognised for its five soaring steel towers inspired by the wing of a falcon in flight.
Wind Sculpture (TG) II by Yinka Shonibare stands in front of the Almaty Museum of Arts and was created especially for the museum. The work symbolizes freedom and cultural exchange, combining a light, wind-filled presence with a layered historical narrative.
‘PORTALS’ , 2024
by Fred Eversley
16’ 6” x 74’ 3” x 9’ 9”
5,0 x 22,6 x 3,0 m (HWD of installation)
Eight vertically fluted parabolic arcs made of solid seamless mirror polished stainless steel
A site-specific installation created for Julian Abele Park, One Flagler, West Palm Beach, Florida.
Commissioned by Related Ross in partnership with the City of West Palm Beach, Florida in early 2022 through an invited competition directed by Culture Corps, and fabricated by UAP and CIG.
Photography by lilaphoto